Audio mixing in 4 easy steps - Depth, flavour & excitement

Mix

Klang - Punch - Definition - Farve

Kunsten at få musik og udtryk til at gå op i en højere enhed

"Erfaring og ydmyghed er mine vigtigeste værktøjer"

Mix i 4 lette skridt

1.Kontakt

Skriv eller ring så vi kan planlægge dit projekt. Hvornår skal mixet være klart? Hvornår kan du sende filer?
Hvad skal mixet anvendes til? Mix pris er inklusiv mastering hvis det ønskes.

2.Upload

Læs retningslinjerne eller se videoer på FAQ-siden.
Upload dine filer via en hvilken som helst ønsket filoverførselstjeneste.

3.Lyt

Download mix. Lyt på forskellige lydkilder og evaluer. Dans, hvis du har lyst.
Skriv dine evt. ønsker og rettelser i fælles Google docs.

4.Smil

Vi retter indtil fuld ilfredshed inden for rimelighedens grænser.
Betal venligst faktura med bankoverførsel efter godkendelse af det færdige mix.

What clients say

Mikkel is professional, responsive, and friendly...but most importantly...he is an artist that can embody your vision and maximize the life of your music. I look forward to working with him on future music.

Toby GangerArtist/Songwriter

Mikkel is so patient and hard working. He never stops until everyone is happy with the music. My impression is that he is not afraid of thinking outside the box and break some rules when it comes to mixing and mastering, which we think is very important. We only have good things to say about Mikkel - both when it comes to his mixing and mastering skills and his personality. xx Smerz

Smerz

Been working on several albums and singles with Mikkel and he always does a great job bringing the mixes alive!

Kalle Mäkipelto Producer - Songwriter

Varibeat has been our #1 mix & mastering partner for years and we've had tremendous success with Mikkel! Huge respect!

Henri Lanz -MGIProcucer, Songwriter and managing director of Sony Music Finland

Mikkel is amazing at what he does. He made our single come alive in a way I always pictured it sounding. I cried inside upon first listening haha. It felt as if he breathed life into it and it all of a sudden had movement. We are grateful to be working with him and hope to more in the future. Thanks so much, Mikkel!!

Space Cubs

It is not only a real pleasure working with Mikkel Gemzøe, he is a pioneer in the art of mixing and creating contemporary sound designs. I would recommend anyone to lean on Mikkel's many years of experience, true musicality and genuine talent.

Simon LecSongwriter - Artist

Mikkel excels at making your music sound the best it can. The process is always permeated by a collaborative feeling and a very pedagogical approach. Mikkel is very aware of the musics significance to the artist and as a result, not just the mix, but the entire experience is very satisfying.

Naim NafarArtist - Songwriter

I have been releasing music since 1999 I feel that Mikkel's mixing and mastering is the best work I've had done on any songs ever.

RedramaArtist

Tidligere

Næste

Guidelines for preparing and delivering files for mixing

Please read this or watch the video below before delivering files for a mix.

Mixing – a two way street

Option 1

There’s two ways to go about this. Either you deliver a ProTools session (jump to the column on the right). Or if you work in any other DAW (Digital Audio Workstation) you need to bounce out all your mix files from the same starting point.

Resolution

The resolution of the files should be kept the same as you recordings. So the sample rate and bit depth should remain the same as in your session.

If some tracks are mono bounce them in mono. Stereo tracks should be bounced as stereo and as interleaved files please.

Cubase

If you work in Cubase there’s an important thing you need to do. In the Cubase export window you need to select left/right channels, if not selected, Cubase will export multi channel audio which then shows up as mono files when imported.

Plugins

When bouncing the individual tracks please bypass all sorts of plug-ins that are considered mix tools, this would include dynamics, EQs, distortion, delays and reverbs.

Please do include plug-ins that I would consider production tools such as auto tune, automated filter movements or any extreme effect that totally changes the character of the original recording.

Sound effects

If you use effects like booms, sweeps, risers or background ambiences, just bounce those as they are in your production including all plugins.

Comping

During recording you may have used several tracks to record the exact same element, for instance ad libs for verse 1 and ad libs for vers 2. Please export those together as one track, unless there’s any overlapping audio of course.

Naming and structure

Please name each file according to the type of element it contains, such as kick, snare or piano. If there are more than one of those elements just use ascending numbers such as kick 1, kick 2 and so on and preferably in hierarchical order.

Try to keep the track titles short and clean and feel free to use abbreviations.

Reference mix

Please remember to bounce a reference mix so I know how your mix sounded before I started working on it.

Check your files

Once you have bounced out all your tracks please drag them into a new arrangement and double-check that everything corresponds to the reference mix.

If so put all those files in a folder and label it with the artist name_song title_BPM number of the song.

Go to “External references”

Option 2

If you deliver a ProTools session

The same norms for naming and comping applies, but you can however keep your plug-ins activated.

Autotune

If you are using Autotune please audiosuit those and deactivate the plug-in on the specific channel. This makes it easier for me to locate those channels with Autotune.

Delay compensation

If possible please save your session with delay compensation enabled, this makes sure that the timing stays the same when I open your session.

FX sends

If you’re Working with FX sends please make sure that the receiving plug-ins have the mix knob set at 100% wet.

“Analog DSP”

If you are using plug-ins with analog features such as a lot of the Waves stuff, please switch those to the off setting.

That feature tends to generate a lot of noise collectively.

Ready to export

When you’re ready to export choose save copy in and be aware to choose the correct resolution here, which should just be the same as your original session.

Under items to copy choose audio files and main playlist only. This assures, that I don’t get a lot of files not used in the arrangement and probably makes the whole session smaller in size.

Press OK and open the The newly created session and double check that everything sounds right and is in the right place.

External references

Another thing I use a lot is what I call external references. This can be any piece of music that so to speak exist in the real world. Music that you really like and feel acquainted with. Preferably in the same genre as your music, to work as a reference tool. If you have any external references or prior releases or other songs you like and feel inspiring, please include those, either as files or write them in a text document as links .

This type of reference can be very helpful, since it provides, what I call an open window to the real world and gives me insight to what you adore soundwise.

Please send me the external reference as well, preferably as a file, but a link is also fine.

Delivery

Please label the session folder with the artist name_song title_BPM number and zip or compress that folder and send it to me either through my Wetransfer channel, dropbox or any other service you prefer

What is the mix for?

One last important thing. Please let me know from the start which medium or platform the master should be used for and if you need alternative versions like a radio edit, instrumental or a capella version.

Confused?

If you have any questions what so ever regarding this information overload, please do not hesitate to write or call me.